The Guyana Folk
Festival 2007
Festival of Performing Arts
"FREEDOM TRAIL"

THE FEMALE SLAVES DISCUSS THE REVOLT, FROM
LEFT ROSE OCTOBER-EDUN (HAJA) JULIET EMANUEL (MOTHER OF
ZOISA) AND VERNA WALCOTT-WHITE (ZEWDY).
PHOTO: TANGERINE CLARKE |

ON STAGE ARE ATTA (WINSTON YARD), RON
BOBB-SEMPLE (AKKARA), CYRIL BROWNE(CUFFY) AND HILTON
HEMERDING (ACCABRE) AS THEY PLAN A REVOLT ON THE CANJE RIVER
BANK IN FREEDOM TRAIL
PHOTO: TANGERINE CLARKE |
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The cast of Standpipe and Mayor of Susanburg
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President Malcolm Hall chats with a patron after the shows |
A GUYANA DRAMATIC CORE PRODUCTION
FRANCIS QUAMINA FARRIER BRINGS 1763 SLAVE REBELLION
IN GUYANA TO LIFE IN RIVETING "FREEDOM TRAIL" PRODUCTION
by Tangerine Clarke
The audience was riveted by a stellar cast of actors
who brought to life the history of slavery - the 1763 Slave Rebellion in
Guyana, in Freedom Trail by Francis Quamina Farrier. This playwright
brilliantly captured the fortitude of the slaves back then in their
quest for freedom, to acknowledge the 200th year of the abolition of
slavery, and to open the Guyana Folk Festival Performing Arts Festival
last Saturday.
The scene was set on a slave plantation on the banks
of the Canje River in rural Berbice, where Cuffy (Cyril Brown) a
vociferous house slave was chosen as governor to plan an insurrection.
But during his struggle for freedom from the slave master, he also had
to face a rebellious fellow slave named Atta (Winston Yard) who was
intent on leading his own battle.
Zoisa (George Dahari) and Baube (Cleveland John) were
powerful in their portrayal of the young couple born into slavery, and
whose child also became a slave after the uprising.
In a commanding performance, Ron Bobb-Semple, no
stranger to the stage, was resonant in his role as Akkara, as he asked
in song, "where is the freedom I long for, this freedom burns inside me,
the longing that I must be free" The African drumming in the background
and the singing and dancing of cast members were reminiscent of the
enslaved Africans who sought comfort in these art forms during their
determination to be free.
Dramatist, Francis Quamina Farrier, explained that
this play traces the history of Guyana where enslaved Africans, created
the opportunity to strike the first blow for freedom".
Noting that the play is relative today, Farrier said
"we hear the young people singing Bobb Marley's song that says 'rid
yourself of mental slavery', so you have the physical, and the mental
freedom, and in this case, it is a bit of both, because the enslaved
Africans wanted the physical, to build on their mental freedom they had
already established".
"So whether they came from Africa, or they were born
in the new world, they already had this idea of freedom, which was the
cry that is still relative today".
He said writing Freedom Trail necessitated quite a lot
of research, pointing out that the letter that was dictated to Carbon
(Bonny Tsoi-A-Ho) by Cuffy in the play, was the exact text that was
written back in 1763.
Freedom isn't free you always have to work for freedom
because if you let up for one moment, one would find one's self being
re-enslaved. And this year, as we commemorate the end of the slave in
African captive, we must reflect, on why this play is appropriate, he
added.
As the director of Freedom Trail, Maurice Braithwaite
brought a wealth of knowledge to the stage, having played Cuffy at
theatre Guild Playhouse in Guyana in 1983.
"I thought this was the perfect time to introduce the
play to the New York stage, so I invited Francis to extend his writing
to create roles for women who were critical to the slave rebellion.
I enjoyed directing this play especially at this time,
since it is a part of the history of Guyana that kids do not learn in
school. Adding, "that is why we encourage parents to bring out their
children to see Freedom Trail" says MoBraf as he is fondly known.
The remaining cast must be applauded for their
exceptional performances that were executed with rumination befitting
the characters. They are Austin Thompson, as (Goussari, Cannon rose
Kearns, as (Miss George), Claud Leandro as (Rose October-Edun as (Haja),
Verna Walcott-White, as (Zewdy), Juliet Emanuel, as (Mother of Zoisa),
and Hilton Hemerding as (Accabre). Malcolm Hall performed the spirited
beating of the drums.
The young cast members included; Shannice as (Bintu)
Shanika as (Hawa), and Roshaeana as (child).
Performances
SATURDAY AUGUST 4, 2007
SUNDAY, AUGUST 5, 2007
SATURDAY, AUGUST 11, 2007
SUNDAY, AUGUST 12, 2007
(SATURDAYS - 7.00 p.m; SUNDAYS - 6.00 P.M.)
ADULTS - $20.00 YOUTH - $10.00MEYER LEVIN PERFORMING ARTS SCHOOL,
RALPH AVENUE, BROOKLYN, NY
In 1763, in the Dutch colony of Berbice, on the Atlantic Coast of
South America, Cuffy, an enslaved African, organised the greatest slave
revolt of that era, to fight for freedom and to establish an orderly
African country outside of Africa.
This is the setting for the play FREEDOM TRAIL, written by
prize-winning Guyanese playwright, Francis Quamina Farrier, who also
wrote Guyana's first ever Radio Soap Operas; The Tides of Susanburg,
and The Girl from Susanburg.
Directed by veteran actor Maurice Braithwaite, who played the villain
Mentore in the Susanburg series, FREEDOM TRAIL will feature some
of the most talented actors, dancers and drummers in the tri-state area.
A production which will be a fine example of edutainment - a positive
combination of education and entertainment, suitable not only for
Guyanese, but our Caribbean/American friends.
This production is in commemoration of the bicentennial of the
abolition of the trade in African captives.
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