Call for Papers and Participation
CARICOM@50: Recognizing and Celebrating Its New York Roots
August 6, 2023
The Boathouse, Prospect Park
Brooklyn, New York
The Guyana Cultural Association of New York, Inc. and Prospect Park Alliance invite your participation in the symposium of the Guyana Folk Festival 2023 season. The symposium will explore the long Caribbean presence in New York around the theme CARICOM@50: Recognizing and Celebrating Its New York Roots.
The symposium, along with the other signature events of the Guyana Folk Festival season, will contribute to the celebration of the 50th anniversary of the Caribbean Community (CARICOM). This anniversary will be observed across the region and its global diaspora.
CARICOM is a manifestation of a persistent stream of thought that has been evident in the circum-Caribbean region for almost two centuries. It “is the oldest surviving regional integration institution in the developing world.” Its declared vision is to promote and support “a unified Caribbean Community that is inclusive, resilient, competitive; and sharing in economic, social, and cultural prosperity.”
CARICOM’s founding on August 1, 1973, the 135th anniversary of the emancipation of enslaved Africans in the British West Indies, explicitly tied the institution to the historical struggles for liberty and self-determination across the region and hemisphere. Less well known is the fact that people of color in New York celebrated West Indian emancipation in the mid-19th century in relation to their own liberatory political visions and struggles. CARICOM@50: Recognizing and Celebrating Its New York Roots seeks to explore and commemorate these deep and ongoing connections.
Background
In their 2020 article “Con-Federating the Archipelago,” Yolanda Martínez-San Miguel and Katerina Gonzalez Seligmann discuss the ancestry of this persistent quest in the Caribbean experience. They highlighted two formulations in their exploration of the idea of self-determination, regional unity, and sovereignty in the wide, multilingual Caribbean space: the Confederación Antillana [1850] and the West Indies Federation [1958–1962].[1]
Martínez-San Miguel and Gonzalez Seligmann explain how the goal of a multiracial, multistate federation became a central symbolic and political project for West Indian intellectuals across the diaspora. This was especially resonant for New York- and London-based Pan-Africanists who saw Caribbean federation as a means to achieve self-determination and political autonomy in an otherwise colonial world order. As quoted by Martínez-San Miguel and Gonzalez Seligmann, Marcus Garvey stated in the Blackman in May 1929, “Federation of the West Indies with Dominion Status is the consummation of Negro aspirations in this Archipelago.”
Recognizing and Celebrating the New York Roots/Routes
The theme of the 2023 Symposium provides an opportunity to explore the deep histories and ongoing connections between the Caribbean and New York. The Guyana Cultural Association of New York and the Prospect Park Alliance’s ReImagine Lefferts initiative are pleased to be partners in this celebration. The Lefferts Historic House is an 18th-century Flatbush farmhouse and New York City landmark. The ReImagine Lefferts initiative focuses the museum’s interpretation and programming on the resistance and resilience of (a) the Indigenous people of Lenapehoking upon whose unceded lands this 200-year-old house museum sits and (b) the Africans enslaved by the Lefferts family. This 50th anniversary of CARICOM provides an opportunity to highlight the long interconnected and multidimensional Caribbean presence in New York.
Built in 1783, the Lefferts Historic House provides a window into the colonization of New York and Long Island as part of the broader history of trans-Atlantic plantation economies characterized by extractive dispossession and enslavement. Colonial records show that in the 17th century, Indigenous New Yorkers were kidnapped to work in the Caribbean, and Indigenous Caribbean people were kidnapped to work in New York. A majority of the African peoples sold into slavery in New York were brought from the Caribbean. When enslaved Africans rebelled in New York, they were often sold to the Caribbean.[2]
The Africans enslaved at the Lefferts Historic House, as well as their immediate descendants, participated in the emancipatory movements that reshaped the hemisphere. Like Africans enslaved in the Caribbean, Africans enslaved in Brooklyn and New York also rebelled repeatedly in the 18th century. They harnessed the American Revolution as a vehicle for their own dreams of liberation. When independence from Britain in 1783 did not deliver the promised freedoms, enslaved and free New Yorkers of color in New York, inspired and assisted by Haitian emigrees, pressured the White power structure to enact a gradual emancipation process. These New Yorkers of color also built powerful community organizations for mutual aid and education.[3]
New York activists expanded their fight to end slavery and to secure equal rights across the entire U.S. These efforts were ultimately supported by more than 4,000 New Yorkers of color who volunteered to help liberate their Southern brethren in the U.S. Civil War. In the post-Civil War years, New Yorkers of color continued to build community organizations that aided migrants from both the U.S. South and the Caribbean as they sought to escape the White supremacy of Jim Crow segregation and European colonialism.
These late 19th– and early 20th-century encounters and interactions in New York were transformative for American life. They also had global significance, particularly in the Caribbean. Indeed, New York was one of the locations that made the possibility of Caribbean collaboration visible. According to Eric Duke, it was home to early demonstrations of “a collective sense of West Indianness” during the early 20th century.[4]
The Caribbean political leaders who led their countries to political independence during the 1960s and 1970s depended on the Caribbean community in New York for a range of resources, including access to U.S. political and economic institutions. In 2023, the Caribbean in New York is multiethnic, multi-religious, and transnational. This community has been an important variable in the operationalization of the CARICOM idea over the past 50 years.
[1] Yolanda Martínez-San Miguel, Katerina Gonzalez Seligmann, Con-Federating the Archipelago: Introduction. Small Axe, Volume 24, Number 1, March 2020 (No. 61), pp. 37–43.
[2] Thelma Wills Foote, Black and White Manhattan: The History of Racial Formation in Colonial New York City (New York: Oxford University Press, 2004).
[3] Craig Steven Wilder, In the Company of Black Men: The African Influence on African American Culture in New York City (New York: NYU Press, 2001); Leslie M. Harris, In the Shadow of Slavery: African Americans in New York City, 1626–1863 (Chicago: University of Chicago Press, 2003).
[4] “Con-Federating.”
Guyana Folk Festival 2023
During its annual Guyana Folk Festival season, the Guyana Cultural Association of New York, Inc., proud of its Caribbean heritage, residence in New York, and partnership with Prospect Park Alliance, looks forward to telling the story of New York’s role in inspiring and nurturing the CARICOM idea. The theme for the 2023 season is CARICOM@50: Recognizing and Celebrating Its New York Roots.
The Folk Festival’s annual symposium, organized in partnership with the Prospect Park Alliance, will be guided by practices of co-discovery and co-creation. It will explore and make accessible the earlier-discussed story of the Caribbean presence in New York, especially its place in the imaginings and ongoing support of the CARICOM idea.
This Call for Papers and Participation invites your participation in this 2023 symposium. We invite proposals for five broad categories of presentations:
- Excavating the deep, shared histories between the Caribbean and New York.
- Isolating and discussing New York-based key moments, personalities, and institutions whose thought and practice contributed to the actualization of the CARICOM idea.
- Contextualizing/historicizing the CARICOM idea, including objections (e.g., British Guiana’s absence at the critical 1953 meeting regarding the West Indies Federation).
- Exploring contemporary Caribbean cultural life in New York, with special emphasis on folk practices (e.g., games, language, and cosmology).
- Visualizing futures.
We welcome presentations from Guyanese, Caribbean, and transnational perspectives. We will accept proposals for papers and panels, as well as presentations (including performances, displays, and digital packages, e.g., StoryMaps[1]), in all languages spoken in the Caribbean.
Paper or presentation topics could include, but are not limited to:
- Early colonial relations
- The Triangular Trade and its legacies
- West Indian emancipation and Black American resistance
- Routes to the New York Roots
- Immigration in the West Indian imaginary
- The role of tensions among Caribbean people of African, Asian, and European descent in the evolution of ideas about Caribbean cooperation
- Caribbean people of South Asian ancestry and the New York experience
- Religion, the arts, and the Caribbean experience in New York
- Women and the CARICOM idea
- Cross-cultural relations and the creation of community (as manifested in fraternal, religious, and political organizations; literacy systems and movements; aesthetic movements; culinary practices; and fashion, family life, and informal economic systems, such as “box hand,” “pardner,” and “sousou”)
Please send submissions to caricom50nysymposium@gmail.com by June 5, 2023. For paper presentations, please send a 250-word abstract or description and a short biography. For artist submissions, please send JPEG and/or MP3 or MP4 files (include title, work date, process, dimensions, and medium) and a short biography. Dropbox and other FTP links will not be reviewed.
All proposals should be submitted online.
Vibert Cambridge, Ph.D. Dylan Yeats, Ph.D.
Guyana Cultural Association of New York Prospect Park Alliance
Brooklyn, New York Brooklyn, New York